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I could see a band paying for a couple months to mix/master after doing the in home recording. needing to start from scratch or completely commit to the steam mixdown). I can't imagine many users would find a lot of value to subscribe and use for a single month and then not be able to tweak and mix with them again (i.e. Places like Waves let you test drive for "x" period of time, so that becoemes a free option under such a scenario. Just analyzing possibilities and cases From my perspective, I have so many plugins I am secured on every occasion (not including war of course). So it would be more economic when there is a time (maybe vacation in their real work) to dedicated month forĭisclaimer: I would like not to be considered to be a person who is subscription hater but as subscription lover either People especially hobbyists have often lots plugins on shelves not used, and many month without any gig to earn money (or no at all). So a person having all multitracks prepared could buy just 1 month to do needed job, so in such case cost would be 13$ for job done and for year. Probably assuming if that worked for somebody the person would consider buying bigger offer or more permanent if more orders from customers in horizon.Īnd maybe even more for home recording people who have no lots gigs but from time to time want to mix and publish their own things (let's say once per year).ġ month should be enough for mixing and mastering, when everything is recorded. I think this was their concept in a background for this offer. If no orders I am stopping subscription if any new orders I am buying again only 1 month for a gig. So I would pay just only for 1 month, do mix with those plugins, create processed stems, backup, sell mix to customer and done. So let's consider such case: I don't want to subscribe permanently or invest a lot in great plugins just need to create one mix and would find those plugins useful. They didn't think about year subscriptions only monthly so more random and occasional.
I see these warnings from time to time in this subforum.I believe they built this offer for different purpose. Antimalware solutions and common sense together are what work best for me.
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Switching mom to GMail (which she loves) took care of that issue.Īll of which is certainly not to dissuade anyone from taking steps that keep them feeling safe, rather I seek to reassure that our computing world may not be as fraught with danger as the purveyors of anti-malware software may advertise.
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In my experience as an IT professional and as the son of a mother in her 80's who has a bunch of friends whose email addresses end in trojans and malware appear on people's systems not from downloading software (that ended somewhere around 1995) but from opening email attachments.
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What would be their gain? Ruining their reputation in the audio community for what? Companies don't need to install software to harvest our data any more, we give it up willingly. And for a company to go to the trouble to create a marketing campaign such as this just so they could install some kind of trojan on our computers, or alternately, that they would go to all this trouble and then create an installer that accidentally contained malware, is, by my thinking, unlikely. A black hat would probably choose a larger market to distribute their payload.
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It takes trouble, work, and skill to code malware into a software installer, and in the grand scheme of software, the market for freeware VST's is tiny. Defender and Malwarebytes have never flagged any of my plug-in downloads and I have never gotten a virus or trojan or any kind of malware from a plug-in, freeware or otherwise. I run no antivirus or antimalware software except for Windows Defender and Malwarebytes on an ad hoc basis. I watch KVR and when I see one that interests me I download it and try it, from any developer that offers them.
Just an anecdotal data point: more than half of the plug-ins on my system are, like Cakewalk itself, freeware licensed.
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